Patient research work involving more than 5 thousand photographs
resulted in a 1 minute film that AlmapBBDO created to advertise Getty
Images, the world leading image database for creating and distributing
visual contents. The film is surprising when showing 873 images in 15
images per second, sufficient speed to transform the series into a video
that, without any text, tells a beautiful story. All photos, without
any exceptions, are from the Getty Images archives.
Copywriter
Sophie Schoenburg and art director Marcus Kotlhar worked 6 months
researching images, improving the script and building each scene so they
would not only be understood, but would also touch viewers. Sometimes,
for example, a scene would look perfect on paper, but the images chosen
to depict it were not sufficient or did not perfectly match up to offer
the right movement and sense. And hence the research had to be
restarted. The film was directed by Cisma, via Paranoid BR, along with
Marcos Kotlhar, the art director at the agency.
For this
creation team, the purpose was to adhere to the concept that Getty
Images has so many images that anybody is capable of telling any story
they want by only using their archives. In the film "Do amor ao Bingo em
873 imagens" [From love to Bingo in 873 images], a storyteller in the
corner of the screen describes the images used. The Getty Images logo
appears at the end of the story, but the storyteller continues to turn
until reaching the exact number of images in the Getty Images archive.
Credits -- Film
Advertiser: Getty Images
Title: From love to bingo in 873 images
Product: Getty Images
General Creative Director: Marcello Serpa, Luiz Sanches
Creative Director: André Kassu, Marcos Medeiros, Renato Simões
Art Director: Marcos Kotlhar
Copywriter: Sophie Schoenburg
Producer: Paranoid BR
Executive producer: Egisto Betti
Direction: Cisma, Marcos Kotlhar
Animation: Split Filmes, Marcos Kotlhar
Rtvc: Vera Jacinto, Gabriel Dagostini, Diego Villas Bôas
Soundtrack / Voice-Over Artist: Kito Siqueira
Editor / Assembler: Marcos Kotlhar, Jonas Brandão
Finishing Editor: Split Filmes
Service: Cristina Chacon, Marina Leal
Media: Paulo Camossa Jr
Approval: Renata Simões
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